GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El Saint Jerome Penitent oil painting


Saint Jerome Penitent
1610-14 Oil on canvas, 166 x 110 cm
Painting ID::  43715 		GRECO, El
Saint Jerome Penitent
1610-14 Oil on canvas, 166 x 110 cm
   
   
     
GRECO, El Portrait of Cardinal Tavera oil painting


Portrait of Cardinal Tavera
1608-14 Oil on canvas, 103 x 83 cm
Painting ID::  43716 		GRECO, El
Portrait of Cardinal Tavera
1608-14 Oil on canvas, 103 x 83 cm
   
   
     
GRECO, El Angelic Concert oil painting


Angelic Concert
c. 1610 Oil on canvas, 115 x 217 cm
Painting ID::  43717 		GRECO, El
Angelic Concert
c. 1610 Oil on canvas, 115 x 217 cm
   
   
     
GRECO, El St Francis Meditating oil painting


St Francis Meditating
c. 1595 Oil on canvas, 147,3 x 105,4 cm
Painting ID::  43738 		GRECO, El
St Francis Meditating
c. 1595 Oil on canvas, 147,3 x 105,4 cm
   
   
     
GRECO, El The Virgin Mary oil painting


The Virgin Mary
Oil on canvas, 52 x 36 cm
Painting ID::  43739 		GRECO, El
The Virgin Mary
Oil on canvas, 52 x 36 cm
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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